Washington Post
Mark Jenkins of the Washington Post Reviews the Discarded show at the Mehari Sequar Gallery in DC.
“Many of Adeniran’s pieces, all but one wall-mounted, are 3-D laments. He mourns oil-spill victims in his “Anonymous” series, and grieves the despoiled African landscape and the fading traditional culture of his Yoruba ancestors.”
“Adeniran gives his concoctions an impressive formality. They’re made of junk, yet they have the heft of marble.”
-MarK jenkins, washington Post
artnet
The Artnet Gallery Network profiles the works and artists of note under the “Next Generation” platform at the 2019 Pulse Art Fair .